Mark Morris Dance Group/Royal Ballet of Flanders/Rambert Dance co. - the Sunday Times review

David Dougill is elevated by William Forsythe's Middle, but badly let down by Mark Morris's Romeo with a happy ending

Rambert

The style of the choreography for 20 dancers is flowing, lyrically rapturous and with a stately exposition of the music’s melody

Manon

English National Ballet’s production provides a deliciously tender sweep to MacMillan’s fiendishly acrobatic pas de deux

Impressing the Czar

Few choreographers can energise a big ensemble the way that the 58-year-old William Forsythe does

Romeo and Juliet

Despite the loopiness of the ending, there is much to enjoy in Mark Morris’s intimate and streamlined modern dance rewrite

Yesterday

This is both a distillation and an edgy, extremely clever refashioning of much of the work Jasmin Vardimon has made to date

Episodes of Flight

The dancer Elena Giannotti, Butcher's alter ego and muse, travels determinedly through layers of time and memory

Stravinsky: A Celebration at Sadler Wells

A wonderful triple bill is as much a tribute to the choreographer Mikhail Fokine as to the Russian composer himself

Sangre Flamenca

The Spanish equivalent of the Ballet Boyz stomped and clattered through an intermittently exciting evening of fiery footwork

Royston Maldoom Project

This project's 120 young dancers put their all into a performance exploring opression and the journey to freedom

Wayne's hyperactive world

The Royal Ballet's resident choreographer, whose new work opens at Covent Garden this month, exists in a creative vortex

L’Invitation au Voyage - the Sunday Times review

The Royal Ballet’s triple bill is sublime, and ENB’s Manon a good first effort

Giant steps of the spectacle Overture 2012

The dance spectaculars of Royston Maldoom, in all of their crazy, incongruous glory, delight Richard Morrison

Royal Ballet

The choreography unfolds its emotions with a flowing lyricism and high-minded passion and the performances are terrific

The Batsheva Dance Company/Mariinsky Ballet - the Sunday Times review

The Batsheva Dance Company were exuberantly rude, while the Mariinsky Ballet proved a more elegant treat

Lloyd Newson's To Be Straight with You arrives at the National

Lloyd Newson explores the faultlines between faith and sexuality in his latest show To Be Straight with You

Romeo and Juliet's happy ending

And they loved happily ever after? Prokofiev tried it, as Mark Morris and his company will show in London next month

The Mariinsky Ballet - the Sunday Times review

The Mariinsky company’s young stars struggled to match their forebears in a Forsythe quadruple bill at Sadler’s Wells

Mariinsky Ballet

Valery Gergiev, though he achieved a wondrous fullness of sound, did little to encourage this dance performance to soar

Mariinsky Ballet

Gergiev calls them the company's “A-Team of young stars” but the lack of firepower in the casting was a drawback